Visual Arts
Remanence
This exhibition examines how fire shapes landscape and impacts on the psyche of people whose homelands are affected by fire. It draws together Tasmanian artists working across a range of mediums including interactive video, jewellery, architectural performance, sculpture and furniture.
The artists envisage fire as a destructive force and ever-present threat, as well as a mechanism of renewal and a sculpting force across the island. Engagements include Gay Hawkes’ documentation of loss to fire, Philip Blacklow’s thermally modified furniture and Neil Haddon’s vibrant paintings. Art-science works by Peter Davies, Joe Shrimpton and Bill Hart explore environmental cycles and chance events.
“You think … well, it couldn’t have happened. That place down there, that place I loved, it must be still there.” – Gay Hawkes.
Download the catalogue here.
Curators: Noel Frankham, Kit Wise, Svenja Kratz and Zoe Veness
Artists: Philip Blacklow, Lucy Bleach, Dorita Hannah & Sean Coyle, Neil Haddon, Jan Hogan, Joe Shrimpton & Bill Hart, Gay Hawkes, Zoe Veness, Martin Walch, Peter Davies, Lynn Davies & Rachael Rose and Rob Long
Presented by University of Tasmania (Tasmanian College of the Arts)
Image: Neil Haddon, The First Time (Castra), 2014, enamel paint and clear coat on aluminium panel. Courtesy of the artist, Bett Gallery and This Is No Fantasy
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EXHIBITION DETAILS
Fri 17 – Sun 26 March, Open daily, 10am – 4pmPATRON ADVICE
Small objects on display – young children must be supervised.
Uneven surfaces, flat footwear advised.
Wheelchair access limited.
ADDITIONAL INFORMATION
Floor Talk
Sat 18 March, 2pm
This exhibition examines how fire shapes landscape and impacts on the psyche of people whose homelands are affected by fire. It draws together Tasmanian artists working across a range of mediums including interactive video, jewellery, architectural performance, sculpture and furniture.
The artists envisage fire as a destructive force and ever-present threat, as well as a mechanism of renewal and a sculpting force across the island. Engagements include Gay Hawkes’ documentation of loss to fire, Philip Blacklow’s thermally modified furniture and Neil Haddon’s vibrant paintings. Art-science works by Peter Davies, Joe Shrimpton and Bill Hart explore environmental cycles and chance events.
“You think … well, it couldn’t have happened. That place down there, that place I loved, it must be still there.” – Gay Hawkes.
Download the catalogue here.
Curators: Noel Frankham, Kit Wise, Svenja Kratz and Zoe Veness
Artists: Philip Blacklow, Lucy Bleach, Dorita Hannah & Sean Coyle, Neil Haddon, Jan Hogan, Joe Shrimpton & Bill Hart, Gay Hawkes, Zoe Veness, Martin Walch, Peter Davies, Lynn Davies & Rachael Rose and Rob Long
Presented by University of Tasmania (Tasmanian College of the Arts)
Image: Neil Haddon, The First Time (Castra), 2014, enamel paint and clear coat on aluminium panel. Courtesy of the artist, Bett Gallery and This Is No Fantasy
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Jane Elizabeth
In 1833, Miss Jane Elizabeth Wylde found herself at the centre of a socio-political scandal that outraged much of…
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VISIT SOLAN.ORG.AU FOR MORE INFORMATION Tasmania has a complex history, a challenging present and an intriguing future. For millennia,…
- Statewide
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