The Journal

  • Writers Ailsa Piper and Bert Spinks in conversation on stage, seated in grey velvet chairs before a magnificent wall of timber organ pipes. Ailsa laughs as Bert leans forward mid-thought, microphone in hand — the kind of exchange where the audience forgot to check the time.

    Permission To Stay

    One autumn evening in Launceston, I walked down the hill from my share-house to the Seaport. There – where the mouth of the North Esk River flows into the estuary of the Tamar – I watched a Chinese junk ship float past. Pictures and videos were projected onto the boat’s

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  • Two aerialists perform an acrobatic duet suspended from a tall tripod rig on a Tasmanian beach, as a crowd of onlookers watches, photographs, and collectively forgets they had morning errands to run. A container ship passes calmly on the horizon, apparently unmoved. Ten Days on the Island festival branding appears in the upper left corner.

    We Changed a Beach

    In considering the arts, I am a Bachelor of them. The humanities are a much-derided career path in this century, and BA’s do not make millionaires. But that’s not what we sign up for; and it wasn’t the main point, graduating from the University of Tasmania in the 1980s with a

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  • Visitors deep in conversation at Colour Rush during Ten Days on the Island 2025, surrounded by paintings so bold they're doing most of the talking. Polished timber floors, white gallery walls, and nobody looking at their phone. Photo: Vernon Guest.

    I’m Serious About This

    In today’s rapidly evolving cultural landscape, the role of artists and cultural leaders has never been more critical. As we navigate through times of crisis and uncertainty, artists help us find meaning, hope, and a sense of community. They provoke thought, inspire change, and challenge our assumptions, offering essential perspectives

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  • Three people share a microphone on a magical outdoor stage at night, framed by cascading fairy lights and the magnificent canopy of a grand old tree — nature doing what no set designer could. A "Welcome" sign on an easel greets the audience seated in the foreground. Ten Days on the Island festival branding visible on the right.

    Shorewell Presents: when a community takes the lead in telling its own story

    In Shorewell Park, a suburb of Burnie too often defined by outsiders for its deficits rather than its many assets, the answer has been connection, confidence, and a creative legacy that continues to resonate. A long table dinner under the stars In 2019, Ten Days on the Island joined forces

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  • Podcast: Nunami Sculthorpe-Green

    In this episode of Starter for Ten, Artistic Director Marnie Karmelita talks with Trawlwoolway artist Nunami Sculthorpe-Green about her creative practice and the new work she’s developing with Ten Days on the Island. A conversation about process, Country, and what happens when an artist is given the time and space

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  • Marnie on SWING with a young woman in a blue jumpsuit standing behind ready to give her a mighty push. Fesitval 2025.

    Reflections on Festival 2025

    In the days following this year’s Ten Days on the Island, there has been much to dwell on in the form of family and friendship, war and politics, as well as sinking into the stuff of life and letting days drift along. It takes some time to come up for

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  • Bert Spinks sits on a deck in front of a rail carriage writing.

    Courage and Creativity

    A side-effect of my fixation with reading history is that I often find myself framing my life, as it is now, with the question of how I will look back on it – or how it will be viewed by some other future observer. It’s not entirely fair to be

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  • Podcast: Marnie Karmelita

    In this episode of Starter for Ten, Jane Longhurst sits down with Artistic Director Marnie Karmelita to trace the path that led her to Ten Days on the Island. From Perth Festival to Brisbane Powerhouse to Aotearoa New Zealand, Marnie talks about what she’s learned from twenty-five years of making

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  • Lindy Hume portrait

    Lindy reflects on her time at Ten Days on the Island

    The very first thing I want to do in my final blog is to congratulate my fabulous successor Marnie Karmelita on her well-deserved appointment. I’ve known Marnie for many years, we worked together at Perth Festival, and we’ve crossed paths many times since, in her roles at Brisbane Powerhouse and

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