Aldous Kelly artwork — a vivid abstract landscape in purples, pinks and greens, presumably painted before anyone told Aldous what a quiet Tasmanian retirement looked like

Festival 202712–21 March

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Our Story

Twenty-Six Years.
Still Looking Forward.

Ten Days on the Island was born from a simple, radical idea: that Tasmania deserved world-class art, made for and with the people who call this island home. Twenty-six years on, that idea burns brighter than ever.

  • Writers Ailsa Piper and Bert Spinks in conversation on stage, seated in grey velvet chairs before a magnificent wall of timber organ pipes. Ailsa laughs as Bert leans forward mid-thought, microphone in hand — the kind of exchange where the audience forgot to check the time.

    Permission To Stay

    One autumn evening in Launceston, I walked down the hill from my share-house to the Seaport. There – where the mouth of the North Esk River flows into the estuary of the Tamar – I watched a Chinese junk ship float past. Pictures and videos were projected onto the boat’s

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  • Two aerialists perform an acrobatic duet suspended from a tall tripod rig on a Tasmanian beach, as a crowd of onlookers watches, photographs, and collectively forgets they had morning errands to run. A container ship passes calmly on the horizon, apparently unmoved. Ten Days on the Island festival branding appears in the upper left corner.

    We Changed a Beach

    In considering the arts, I am a Bachelor of them. The humanities are a much-derided career path in this century, and BA’s do not make millionaires. But that’s not what we sign up for; and it wasn’t the main point, graduating from the University of Tasmania in the 1980s with a

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  • Visitors deep in conversation at Colour Rush during Ten Days on the Island 2025, surrounded by paintings so bold they're doing most of the talking. Polished timber floors, white gallery walls, and nobody looking at their phone. Photo: Vernon Guest.

    I’m Serious About This

    In today’s rapidly evolving cultural landscape, the role of artists and cultural leaders has never been more critical. As we navigate through times of crisis and uncertainty, artists help us find meaning, hope, and a sense of community. They provoke thought, inspire change, and challenge our assumptions, offering essential perspectives

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  • Futago takes the Grand Diemen for Ten Days on the Island

    The 2025 visual identity for Ten Days on the Island has been awarded the Grand Diemen at the 12th annual Diemen Awards, Tasmania’s premier recognition of design excellence. Futago, the Festival’s design partner, also took home awards for Art Direction and Illustration. The identity was built around Tasmania’s natural phenomena:

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    The award-winning 2025 visual identity for Ten Days on the Island by Futago and Aldous Kelly: a collage of the bioluminescent artwork applied across brochures, street banners, social media, signage, and the festival website. Every surface that would stay still long enough got the treatment.

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